Image not available

298x403

extra fingers.png

🧵 Untitled Thread

Anonymous No. 1007551

For those of you who made it to employment,
how the piss do you get used to switching between different programs and software suites that use different camera/viewport controls?

Specifically,
I'm having to switch between blender, maya, and marvelous designer.
Unfortunately, I started and spent most of my time on blender. The Maya control set, is that more of an industry standard majority? I _think_ substance painter uses it for simple things like camera controls.

For those of you who do have to switch between environments, have you found a certain program's viewing controls are able to be adopted in all the competitors? I tried once to get Substance Painter to use Blenders, but it was something like everything but one set of key commands were unable to be switched which caused an insanity spiral of moving other actions around. This was 2018 or something though, maybe do-able nowadays.

Ahhghhhhhh I hate the shit outta everything.

Image not available

1421x725

IMG_0236.jpg

Anonymous No. 1007556

>>1007551
Oh a zoomer is complaining about different things made by different companies in their products because copyrighted laws suck. Back in my day we always had to get used to things, it’s just unavoidable. UI and controls for common usage never existed during those times. That’s how you encounter these changes in different programs. Just gitgud that’s the only answer.

Anonymous No. 1007563

write the controls down on a sticky note and stick it on your monitor

Anonymous No. 1008569

>>1007551
CHANGE THE BINDINGS NIGGA

Anonymous No. 1008720

blender and zbrush are the odd ones out, but it took like a week for me to adapt to blender. zbrush is weirdly intuitive, that takes like an hour to get used to. maybe because it's the only one i use a pen with.
get used to industry nav. don't bother changing the blender one, it breaks too much stuff.
marvelous has a maya preset iirc.

Image not available

597x597

1725380279050717.jpg

Anonymous No. 1008856

>>1007551
>For those of you who made it to employment
no one here is employed int the industry and hardly anyone here is employed at all,
wake up, why do you think all the decent artists go into the teaching grift? there are NO JOBS.
there is just the teaching ponzi (you learn to teach others later)