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๐Ÿงต Untitled Thread

Anonymous No. 837763

>>837741
come on now just link me good books that looks as closely to
>pic

like what kind of live reference can actually help you produce shit like this? or that running scene from toki wo kaker shojo? or any goddamn sakuga??

Anonymous No. 837813

just break it down man- I'll do this 1 for you - you stack a lot of skill to pen a short sequence like this. Years of practice and applied refinement. Years of not knowing what looks right or wrong; Years of mediocrity; Pure time investment into study. Throughout the years of study and application, the "know" of flow and timing and motion and feeling grow

So here, the background/environment is smoke/liquid flow, as if the viewer is being zig zagged through a large cloud of dust/smoke. The flow exists, even with the fast motions here. The smokeflow only shows itself by careful attention to the few frames of overlap the viewer has, as well as the "inhalation" at the beginning which is a good deal slower than the rest,, good to make it clear what this space is before it breaks into chaos. That's all fundamental; As is the human figure who transforms; Learn anatomy; dissect that body a million times and then you can depict it dissolving into smoke-tree-lightning whatever this is.

The resulting ribbon twist is a twisting fabric through space; you learn to animate the physics of cloth and materials similar; you can do so much with traditional animation once you have a trained grasp on the drawn frame physics which are required for proper visualization on the concepts. You need to apply spatial depth to all of these skills (giving and representing spatial depth of forms and shapes; without this, you will be a mediocre animator. Nailing the spatial depth of drawn forms in incredibly difficult to master, not to mention doing it in motion at 12-24 frames per second of motion you wish to depict)

Do not think of animation as a light switch. Think of it like a martial art - A life long trained pursuit to strive for mastery and execution. Skill in flux; as we are in flux too as we grow and live in our lives,, No book exists that will make you good at sparring - Why would one exist for animation?

Anonymous No. 837817

>>837813
okay this is effort post but it s lame and vague af, sorry. lots of "do this a million times" "dissect" "study something"
baseless and lack any structure.

yes studying, obviously, what else would i be doing? but what about the timing? where do you place things relative to previous frames? how are they rotate? arent they balanced or gravity or some shit?

spatial depth i know, i may have give myself too little. its about the timing weight balance and perspective. and i could use a nice book for that

also fuck martial arts: this is called computer graphics

Anonymous No. 837820

>>837817
>also fuck martial arts: this is called computer graphics
kek
good spacing you'll learn from trying and failing; No book and no master teach the spacing for actions which YOU imagine

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Anonymous No. 837822

>>837763
I posted an entire list of books months ago, Cris.
You chose to ignore it, they were too hard for you because you lack the fundamental understanding of movement because you never actually studied movement in real life.
All you do is look st 3D/2D animation and think "I want to do this" without puttinf effort into it.
There is no fastpath.
There is no easy way.

Anonymous No. 837826

>>837820
>no books or masters
well then fuck those idiots and their lucky hits. fucking useless.
>>837822
sorry i cant recall you giving me books. all i had from you are all names and retarded wiseass "fastpath" bullshit, retard. you are pretty "fast" on names too, faggot.

so try your luck again and post your "books" if you actually know any,braindead.

probably another richard william nerds

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Anonymous No. 837832

>>837826
Go fuck yourself Cris.

Anonymous No. 837837

>>837832
>pic
ok we got it
u need ur meds

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Anonymous No. 837839

>>837837

Anonymous No. 837841

>>837839
ok ok we get whats wrong with you
no need to be pedantic

Anonymous No. 837842

>>837841
That response is peak irony.

Anonymous No. 837843

>>837842
k where s my prize

Anonymous No. 837866

>>837843
You already got it.
A life filled with suffering and misery

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Anonymous No. 837892

which animschizo session is this, by the way? the fourth?

Anonymous No. 837929

>>837866
wow didnt know you are that poor